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Furniture & VR Experience
Milan Design Week 2026
Superstudio Design / SuperNova
Two elements. One dialogue.
Gravity and Frame.
What you'll experience
What you’ll experience
Gravity and structure
do not appear as objects,
but as perception.
Between physical and virtual,
perception itself begins to shift.
Milan Design Week 2026
Geometry of Light
— INDIGO Design Collection —
Furniture & VR Experience
Superstudio Design / SuperNova
c/o Superstudio Più
Via Tortona, 27 Milan
Exhibition
(Open to the public)
20-25 April 2026
11.00 am – 9.00 pm
26 April 2026
11.00 am – 6.00 pm
Furniture & VR Experience
Exhibition Overview
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Geometry of Light — INDIGO Design Collection
INDIGO, the Tokyo-based design studio led by Satoshi Kan, presents an immersive exhibition during Milan Design Week 2026 at Superstudio.
The exhibition features a series of furniture pieces that transcend their physical form, exploring the relationship between material, space, and perception.
Through these works, alongside virtual reality experiences, visitors are invited to experience design from within, beyond the limits of the physical world.
The furniture pieces “Gravity Chair” and “Frame Chair” will be presented to the public for the first time.
Rooted in the concept of “Design is the geometry of consciousness,” INDIGO investigates the intersection of geometry, gravity, and awareness.
The exhibition introduces a new way of engaging with design, where furniture becomes a medium to shape perception and redefine the relationship between human consciousness and space.
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Geometry of Light — Collezione Design INDIGO
INDIGO, lo studio di design con sede a Tokyo guidato da Satoshi Kan, presenta una mostra immersiva durante la Milano Design Week 2026 presso Superstudio.
La mostra presenta una serie di arredi che trascendono la loro forma fisica, esplorando il rapporto tra materia, spazio e percezione.
Attraverso queste opere, insieme a esperienze in realtà virtuale, i visitatori sono invitati a vivere il design dall’interno, oltre i limiti del mondo fisico.
I pezzi di arredo “Gravity Chair” e “Frame Chair” saranno presentati al pubblico per la prima volta.
Radicata nel concetto “Design is the geometry of consciousness”, INDIGO indaga l’intersezione tra geometria, gravità e consapevolezza.
La mostra introduce un nuovo modo di relazionarsi al design, in cui l’arredo diventa un mezzo per plasmare la percezione e ridefinire il rapporto tra coscienza umana e spazio.
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Geometry of Light — INDIGO Design Collection
東京を拠点とするデザインスタジオINDIGO（デザイナー：菅 悟史）は、ミラノデザインウィーク2026においてSuperstudioにて没入型展示を発表します。
本展示では、物理的な家具作品と仮想空間を行き来する没入型の展示を通して、物質・空間・知覚の関係を探求します。VR体験を含む構成により、来場者はデザインを内側から体験し、物理世界の制約を超えた知覚へと導かれます。
家具作品は、「Gravity Chair」および「Frame Chair」が、初めて一般公開されます。
「デザインとは意識の幾何学である」という思想のもと、INDIGOは、不可視の原理を通して、知覚と意識の関係を探求しています。本展示は、家具を単なる機能的対象ではなく、知覚を形成する媒体として捉え、人間の意識と空間の関係を再定義します。
Satoshi Kan
Satoshi Kan, founder and designer of INDIGO, explores the relationship between form and perception.
Rooted in aesthetics, elegance, and essential values, he has deepened this expression through collaborations with various brands.
Today, with a focus on product design, he embodies a universal design language that transcends style and trends.
Designer / Founder — INDIGO DESIGN
Works on display
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Gravity explores gravity as an invisible force translated into form.
Its reduced structural volume allows physical weight and perceived lightness to coexist within the same object.
The dual-tone leather, differentiated between front and back, expresses gravity’s opposing qualities—weight and lightness.
The leather finish emphasizes thickness and curvature, defining a clear interface between body and material.
Gravity is not merely a chair that supports weight, but a form that reconsiders our relationship with gravity.
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Gravity esplora la gravità come una forza invisibile tradotta in forma.
La riduzione del volume strutturale consente al peso fisico e alla leggerezza percepita di coesistere nello stesso oggetto.
La pelle bicolore, differenziata tra fronte e retro, esprime le qualità opposte della gravità — peso e leggerezza.
La finitura in pelle enfatizza spessore e curvatura, definendo una chiara interfaccia tra corpo e materiale.
Gravity non è semplicemente una sedia che sostiene il peso, ma una forma che riconsidera il nostro rapporto con la gravità.
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FRAME is an armchair that explores structure itself as visible geometry.
Rather than concealing its construction, the frame is expressed as the primary form, allowing structure itself to define the shape.
Its reduced composition emphasizes linear structure, clarifying the relationship between body, material, and space.
The linear geometric pattern captures and reflects light, creating architectural shadows that change depending on the viewing angle.
Within this framework, the seat appears to float, as if suspended, gently releasing the body from gravity.
FRAME is not merely a chair for sitting, but a form that reconsiders how structure shapes space and perception.
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FRAME è una poltrona che esplora la struttura stessa come geometria visibile.
Piuttosto che nascondere la costruzione, il telaio viene espresso come forma principale, permettendo alla struttura stessa di definire la forma.
La composizione ridotta all’essenziale enfatizza la struttura lineare, chiarendo la relazione tra corpo, materiale e spazio.
Il motivo geometrico lineare cattura e riflette la luce, generando ombre architettoniche che cambiano a seconda del punto di vista.
All’interno di questa struttura, la seduta appare sospesa, come se fluttuasse, liberando delicatamente il corpo dalla gravità.
FRAME non è semplicemente una sedia per sedersi, ma una forma che invita a ripensare come la struttura modelli lo spazio e la percezione.
Furniture is thus reconsidered not simply as a functional object, but as a medium that shapes perception and redefines the relationship between human consciousness and space.
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